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Träumende Dinge

Heidi Bucher, Miriam Cahn, Meret Oppenheim, Hannah Villiger, Ilse Weber et al.

Jun 13–Sep 27, 2026
@Kunsthaus Zug
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Josephine Troller, untitled, undated, Kunsthaus Zug, donation from the estate of Josephine Troller, photo: Andri Stadler © Courtesy of The Estate of Josephine Troller
Miriam Cahn, L.I.S. rechts + links, 1987, Kunsthaus Zug, photo: Anna Maysuk © Courtesy of the artist
Ilse Weber, Der Stuhl zieht um, 1974, Kunsthaus Zug © Courtesy of The Estate of Ilse Weber
Hannah Villiger, Skulptural, 1990–1991, Kunsthaus Zug, permanent loan from the Canton of Zug / donation from the estate, photo: Jorit Aust Photography © Courtesy of The Estate of Hannah Villiger
Heidi Bucher, Strong John (Hockeyhose), undated, Kunsthaus Zug, donation by Anne Rotzler, Hausen am Albis, photo: Jorit Aust Photography © Courtesy of The Estate of Heidi Bucher

“I would once like to paint something that I’ve never seen before”, said Ilse Weber. This sentence describes the emergence of somnambulistic pictorial worlds in the work of this artist. At the same time, it points us to the heart of the exhibition “Träumende Dinge” (“Dreaming Things”) and to the affinity many of the featured female artists have with Surrealism: bodies and objects are alienated, detached from their context, and charged with new meaning.

With “Träumende Dinge”, the Kunsthaus Zug turns its attention to female artists who are represented with outstanding works in a collection historically dominated by male perspectives. On display are works and groups of works that revolve around objects and bodies: the familiar is transformed through the artistic process, and everyday objects become vessels of symbolic meaning. In the logic of dreams, the familiar suddenly appears enigmatic. A surreal poetics emerges in which everyday objects unfold a fascinating life of their own.

With artworks by: Heidi Bucher, Miriam Cahn, Trudi Demut, Maya Hottarek, Irma Ineichen, Meret Oppenheim, Josephine Troller, Hannah Villiger, Ilse Weber, Eva Wipf and others.

Curated by

Jana Bruggmann

This exhibition is generously supported by:

Casimir Eigensatz Stiftung, Luzern